Wednesday, March 31, 2010
Tuesday, March 30, 2010
Monday, March 29, 2010
Sunday, March 28, 2010
Saturday, March 27, 2010
Friday, March 26, 2010
Thursday, March 25, 2010
Wednesday, March 24, 2010
Tuesday, March 23, 2010
Monday, March 22, 2010
pirate radio and political foes ...
i don’t pretend to be knowledgeable in the area of movie reviews, but took the time last night to watch a movie as a light-hearted escape from life’s recent heavies - if only to hear some classic rock and a generation celebrating its emergence ...
it was a fun film with all the camp and corniness usually associated with a 60’s music flick [ie., the monkees, yellow submarine, etc] with one exception - the vindictiveness and mean-spirited exploits of a few individuals from the ‘establishment’ ...
prejudicial judgement wasn’t amusing then, and it appeared even more distasteful now ...
coincidentally, my reason for indulging myself was to escape similar rhetoric televised from the floor of the American House Senate where vicious attacks were being launched against heath care reform by a right-wing political machine comprised of the same mean-spirited, self interested, tight-assed bureaucrats that were represented in the movie ...
in both instances, hope survived and the promise of change was kept alive - but not without damage ...
the consequence of ugliness is enduring - for a generation of idealistic romantics and the individuals who try to keep the dreams of equality, fairness, and hope for a better future alive ...
I’m afraid President Obama’s target was substantially increased by his leadership in defeating the stranglehold that corporate america has on the public, and by doing so will have to circumnavigate a tidal wave of vindictive behavior - this was supposed to be his Waterloo ...
yesterday’s vote in Washington was liberating and historic, and as House Speaker Palossi indicated; the health care reform legislation that was passed will spawn a new era in entrepreneurship in America ...
Sunday, March 21, 2010
Saturday, March 20, 2010
Friday, March 19, 2010
Thursday, March 18, 2010
Wednesday, March 17, 2010
no. 17 ...
Tuesday, March 16, 2010
Monday, March 15, 2010
Sunday, March 14, 2010
specificity ...
i heard someone say that privacy is a modern invention - and it probably is, given that survival once depended on close contact with communal living ...
but solitude was also more available in the past ...
today it’s hard to escape the encroachment of civilization or the social expectations of our relationship with it ...
the deeper i’m involved with my work, the more i understand what i need to achieve certain goals and ambitions - a constant state of flux, indeed ...
though i’ve made measurable advancements over the last decade, i’m noticing a lack of specificity regarding explanations of what i do; and the more specific the objectives become, the more i require clarification ...
as an example; nature, improvisation, and expressionism seem to be key components to the pursuit of painting i find aesthetically pleasing; but i’m beginning to see them more as generalities supported by categories of more precise interests ...
nature, for instance, not only includes the environmental conditions of the seasons accompanied by the sensory impact of weather, flora, and fauna - but is also relates to being engulfed by the abundance of something other than human interaction. Where i work, there’s a limited period when the amplitude of distractions are drowned by nature’s dominance; providing longer and more frequent periods of consistent energy, plus sustainable transcendence for suitable concentration - both seem to imply the need for more solitude or a more controlled environment ...
improvisation on the other hand, once represented an expressive freedom from traditional form and tone structures - and though it still does - today i’m less interested in the cacophony of ‘free’ expression than i am with a refined selection of notes occasionally augmented by flurries of apparent chaos or random elements ...
truth is, i’ve always been interested in music sounding the way the mind thinks; a blend of simultaneous events ...
for me, the notion of expressionism has evolved from the early tenants of Greenberg’s treatise and examples through art, literature, and music over the past century to a fundamental component of communication for modern culture ...
once again, it becomes the method by which the mind appropriates the realities of modernity - but it doesn’t represent the simultaneous interaction of data coherently ...
this is why i need to be more specific ...
Saturday, March 13, 2010
unseen ...
interesting how perception beyond normal ranges become classified under broad categories of intuition or paranormal; and in the case of the later, become scary because of accompanying myths ...
in the evolution of the species, walking upright must have looked a bit strange too ...
sometimes the simplest and most obvious explanations account for the most extraordinary events ...
gravity, for example, turned out to be a reasonably simple proposition that revolutionized life over the past three hundred years ...
what is it we are not seeing - between ourselves and the things we recognize - that accounts for all the activity that apparently goes on there ...
string theories, Castenada’s non-ordinary realities, auras, magnetic fields, energy flows, chi, solar winds ...
what accounts for the relative ease and speed of flight patterns of insects and birds while we exert so much dynamic thrust to oppose the same forces ...
it can’t all be gravity, unless opposition is the only course we investigate ...
in hindsight, most of history is riddled with examples of having to expend more force and resources than necessary to accomplish the task ...
i wonder if expedience is less effective without struggle ...
Friday, March 12, 2010
seeing, part 2 ...
an excerpt from the sreenplay by Peter Viertel -
a fictionalized account of John Huston working on
the "African Queen" in a movie entitled "White Hunter, Black Heart" -
one of my favorite Clint Eastwood movies ...
"Well, what do you think, John?
Not bad. But you're trying
to complicate it, Pete.
Things are always good
if they're left simple.
No, not always.
Always.
That's what creates truly
important art, is simplicity.
John, there are no rules to art.
There are hundreds of rules.
Hemingway understood that.
That's why he always reduced life
to its simplest terms.
Whether it's courage,
fear, impotence, death.
People's lives just unfold, and things just
happen to them one thing after another.
They were never bogged down
with that nonsense of subplot. . .
. . .that we sweated over in the past.
Stendhal understood that.
Flaubert. Tolstoy. Melville.
Simplicity is what made them great."
Thursday, March 11, 2010
seeing ...
necessity is the mother of invention ...
abstraction [as a branch of phenomenology with painting being a by-product], begins to prepare us for understanding perceptual subtleties and changes - in this case vision ...
abstraction prepares us to adapt and delineate between: image identification, scale changes, and object placement in space - the same way perception of perspective was modified between prehistoric and high renaissance art, or even from medieval through renaissance; as understanding of spatial relationships, phenomena, and natural laws governing that consciousness became assimilated into civilization of the period ...
i believe we’re in the continuing process of evolving our visual acuity to distinguish the elements of what we now refer to as our sixth sense - abstract painting, at its best, prepares us for that transition ...
part of the condition during primitive painting and our development of perceptual skills was our inability to understand and articulate the things between things we recognized ...
i believe the problem prevails - who can deny those fleeting moments of seeing things that aren’t really there, or were there - but we lack the acuity to focus upon them, doubt our recollection, then deny seeing them in the first place ...
i doubt there’s as much space as we think there is ...