Friday, January 10, 2020

Wolf Moon ...

Wolf Moon @ Arcadia – 1.10.2020





















One a Day – One Day at a Time …

This year isn’t any different ...

Every day I endeavor to fulfill my mission toward becoming a contemporary artist.
Most of the time, I assume no one is either listening to or looking at what I do. Why should they?
Besides, learning from experience has always been the primary goal required to improve ones’ skills – as an artist and a human being …  
I develop concepts, work on projects – paint, draw, read, write, research, study, and compose music – always prepared for inspiration and practiced in knowing how to work with inspirare as it arrives …
I create amalgams of experience – montages that depict the attributes of events –  the energy, the atmosphere, and fragments of noteworthy experiences.
Patterns, images, theorems, and revelations are combined to represent ideas. 
They become conceptual compositions with sensory properties. 
But like memory, every work of art remains an incomplete story. 
Art is a point of reference – a point of view that becomes less relevant to a culture inundated with sounds, images, and data.
The matrix of entirety is where essential meanings and causes are found, but that’s yet another step in an epic process.
That’s where the tedium of editing begins to test one’s stamina and perseverance.
Scrutinizing the massive amounts of data that experience provides creates familiarity with the subject’s essence. 
This is how we discover beauty in those exemplary moments of eternity …
In all things, preparing strong foundations is hard-labor and my efforts are sometimes eroded by a haphazard method of record-keeping.
Organizing materials in categories rather than sequence has become my preference. 
It allows me to focus on multiple projects simultaneously but it can also be chaotic in the turbulence of creation.

This year isn’t any different … except

I sense that 2020 will be notable – especially when experienced as a frame-by-frame account.
I decided to represent this sequence of time in a series of short-story films and books.
As a result, I plan to methodically collate my creative process as events unfold.
For the time being, I’m hopeful that this approach will provide opportunity to share fragments of my journey sequentially – in a way that makes sense to my aesthetic – in a way that makes sense to my vision …


Ukiyo-e | Japanese: pictures of the fleeting and transient world …


Thursday, January 9, 2020

CA Theme ...


Santa Monica Maritime and Sky
(photo)
Poseidon's Revenge, No. 3
Kort Collection

Monday, January 6, 2020

Another Year ...

January 6, 2019 - Winter's Eve
January 6, 2020 - Colors of Winter

Friday, October 25, 2019

Point Dume Beach ... Malibu, CA

ten years ago - to the day ...

excerpt from Pacific Chronicles © 2019 ...

What Is It About Southern California?

Probably more than I can explain, but I’ll try …

My enchantment with the Santa Monica Bay area (from Venice to Malibu) is difficult to articulate but there’s a certain chronology and specificity among its many attributes that I can describe with precise detail. 
The environment captivates my imagination, energizes my spirit, and awakens my senses to a steady flow of inspiration – like a continuous stream of real-time events veiled upon scrims – undulating to the pulse of the ocean’s relentless energy. It enriches my repository of sensations with countless images, sounds, and stories – fluid memories, Water Memory ®
The westside of LA has always moved with a cool swagger to the rhythms of earth – from the rugged, wave-beaten cliffs at Zuma and Topanga to the attitudes of Venice’s Eternal Beach. Here, culture mimics the very nature of an environment on the fringe of western civilization. Until now, there’s always been a distinctiveness inhabiting the Bay area’s spirit of place, but changes occur rapidly … 
My impressions of Southern California have formed an aggregated sub-script of memories and sensory data within a visual compendium of images and sound – one that is more unique than any place I’ve known. Few places on earth can do what it does to me. This is where I am reacquainted with my Muses. Muses that teach me the vulnerabilities of inspiration. Every inspiration, with its own character, requires nurturing and understanding to develop an intimacy with the subject. My Muses are conjured through a ritual of environmental behaviors and time-tested disciplines that allow susceptibility to this phenomenon.


Thursday, September 12, 2019

Tuesday, September 10, 2019

BOOKS of KNOWING, VOLUMES I - III, 1993 - 2018. Paul Harryn

Preview
Books of Knowing, Volumes I - III represents a stunning collection of one-hundred fifty paintings on paper spanning Harryn's twenty-five year odyssey through art and life.
The original paintings (22" x 30") are bound between three over-sized leather covers and were produced in Venice, CA - Eastern PA - Palenville, NY - Torrox, Spain - Paris, France and Sde Boqer,  Israel.
Each volume is accompanied by the artist's eloquent descriptions of his inspiration.

Tuesday, August 20, 2019

Cryptology ... Harryn

Cryptology, No.3
30"H x 40"W, 2019

Sunday, August 18, 2019

Finding Time ... Harryn

FINDING TIME,   2018 - 2019
53"H x 96"W

Wednesday, August 14, 2019

Mandala ... Harryn

FINDING TIME, 2018
a meta-modern mandala
15 ft. H x 45 ft. W, ink on wall
Santa Monica, CA